A gorgeous romp through the French Belle Epoque.
Award
winning novelist Julian Barnes starts his new work of non-fiction with
three men on a shopping trip in London. The year is 1885. The three men
are all French - Prince de Polignac, Count de Montesquiou-Fezensac and
famed gynaecologist Samuel-Jean Pozzi. When Barnes discovered the
sumptuous John Singer Sargent portrait of Pozzi, Dr. Pozzi at Home, he
was inspired to trace the doctor and his milieu.
For the most part, The Man in the Red Coast
is a dizzying, kaleidoscopic ride through the French Belle Epoque. It's
an age of outsized egos, quick tempers, frequent bitchiness,
aristocratic entitlement and easy wealth. Friendships play out like
complex chessboard manoeuvres, and when associations sour and allies
turn, aggrieved parties slander each other through the press. All the
big names of the age walk regularly through these pages – Oscar Wilde,
Sarah Bernhardt, Arthur Conan Doyle, Zola, Guy De Maupassant, Colette.
Plus lesser known characters, such as the overcooked dandy Jean Lorrain
and gossip mongers, the Goncourt brothers.
Of
the three men introduced on the 1885 shopping trip, it is Montesquiou
and Pozzi who get all the attention. (Prince de Polignac makes only
minor appearances. He marries a lesbian heiress, and being homosexual
himself, lives pretty much happily ever after.) Dilettante and aesthete
Montesquiou rubs shoulders with the great and rich of the age, and will
appear as a character in many fictional works, most notably in
Joris-Karl Huysmans' À rebours and Marcel Proust's À la recherche du temps perdu.
He's a pretty unsavoury character – vain, insecure, frivolous and mean.
In the one endeavour where he tried to make himself useful – writing –
he failed. Not many people read Montesquiou in his day, and less do now.
The
bright light of the book, surrounded as he is by so much decadence and
sickly self-indulgence, is the gynaecologist Samuel Pozzi. He was
progressive in his thinking, cultured, well educated, a collector of
beautiful things, but also a useful person. He worked at the forefront
of medical science, was instrumental in spearheading new procedures and
took great interest in the personal well being – the comfort and ease –
of his patients. By most accounts, an all round nice guy. (His
predilection for seducing patients, however, would get him struck off
the medical register if he were practicing today.)
An
education in the Belle Epoque and a lively entertainment (Barnes
obviously loves the period and relishes its eccentric cast of
egomaniacs), The Man in the Red Coat is a tonic and a delight.
The Man in the Red Coat, by Julian Barnes. Jonathan Cape. $39.99
First published at northmelbournebooks.com.au April 2020
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